I like that he knows exactly what he's trying to say, but he also wants to leave the meaning up to the audience's interpretation. I think that makes the whole experience different for each viewer... a lot like an abstract painting. What do you see?
I'm at about page 45 in the screenplay and I've hit a little bit of a wall. I was talking to Adam Friend, who is in the film, about how much I should tell the audience. You see, there is a whole back story to a lot of these characters, but I don't want to bore the viewer with a lot of explanation. Adam felt that "Less is more". He liked the idea of letting people's minds 'fill in the blank'.
I think I'll go that way. But, I don't want people to be too confused.
David Lynch is at a place that he can afford to really experiment. I am not.
This is my first feature and I would really like to reach a lot of people, not alienate them.
But, I still intend on 'going with my gut' on the abstract parts of this film.
Time will tell...
-wade
3 comments:
Like I said, YOU have to know alllllll that stuff, but it doesn't all have to be included in the story. Knowing every bit of these peoples' lives helps you "externalize their internal world." You'll get it. It's tough being a genius. I know. :) Now get back to work (see I'm already acting like a producer)! Smack!
OK, Wade, you hooked me. I'll be watching your blog and keeping an eye on the progress of your film. Good luck. And thanks for all your work on the Art List.
Friday5
Wichita Artist
Rod, you're so pushy.
dang.
-wade
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